One of the more significant is the story of Inannathe Sumerian Goddess, who hearing the call, made her own eventful journey and return. The difference is attributed to the patriarchy, as it steadily eroded the power and significance of the Goddess during the second millenium BC. This paper discusses the fundamental psychological interpretations of the diverse ingredients of the myth, including the concept of a higher self, the abandoning of old values and artifacts, and the ultimate empowerment of voluntarily making the descent.
She takes with her the seven me, each symbolizing a different aspect of civilization, dons her crown, beads, robe, and other assortments and heads out with her faithful servant.
Inanna tells her servant, Ninshubur, to sound a drum and dress as a beggar, to emplore her Fathers not to let their The descent of inanna die. When she comes upon the gates of the Underworld, she is greeted by the gatekeeper, who questions her arrival.
Inanna explains that she wished to speak to Ereshikigal, Queen of the Underworld and her older sister, and tell her that her husband has died. When the gatekeeper, Neti, approaches the Queen, he tells her of the Goddess at the gate and the Queen is enraged. She orders her gatekeeper to lock all seven gates, only opening then a crack to let Inanna through if she sheds one piece of her garments.
By the time she reaches the seventh gate, Inanna is left stripped bare, bowed low before the Queen. The Annuna, who were judges of the Underworld, passed judgment on her and the Queen fastened her with the eye of death.
Inanna was turned into a pile of rotting flesh, and hung on a wall a hook. Both Enil and Nanna refuse to help, but Eridu morns for his daughter and takes dirt from underneath his fingernail. Insight A Me is, in Sumerian mythology, one of the decrees of the gods foundational to those social institutions, religious practices, technologies, behaviors, morals, and human conditions that make civilization, as the Sumerians understood it, possible.
They are fundamental to the Sumerian understanding of the relationship between humanity and the gods Inanna essentially confronts the darker side of herself as she descends into the underworld, and she is stripped bare of her power and learns humility.
Some parts of this story have a sense of familiarity; the bible for example, particularly when 3 days and nights is mentioned. Others ancient myths have similar themed stories of upper-world deities and heroes descending into the Netherworld for reason or another: The concept of entering the Underworld is used in many different cultures and religions.
Inanna abandoned heaven and earth, her office of holy priests, and her temples in the holy cities to go down to the underworld. For protection, she gathered the seven me which symbolized her femininity in the form of earthly possessions.
The Sumerian poem, The Descent of Inanna (c. BCE) chronicles the great goddess and Queen of Heaven Inanna’s The Mesopotamian Pantheon The gods of the Mesopotamian region were by no means uniform in name, power, provenance or status in the hierarchy. I hope that all of you out there has had a wonderful Samhain and is enjoying the descent of the Goddess. While I have my own things and traditions that I do every year to celebrate Samhain, usually involving bones, blood, and boners, this year I focused on jewels and jewelry. This is a large (+9Mb) collection of articles related to Neo-Paganism which can be found archived at a number of FTP sites (for instance, here).This is a collection of posts to bulletin boards from the late eighties to the mid nineties, essentially predating the modern Internet.
When she arrives at the gate, she meets the gatekeeper, Neti who tells Queen Ereshkigal that Inanna has arrived. The Queen of the underworld is not at all pleased about the presence of her visitor and orders the gatekeeper to let her in through the seven gates.
Unlike Inanna, Ereshkigal is the opposite: Ereshkigal wanted Inanna to enter bowed low, humiliatedEach time Inanna enters a gate, she is stripped of her royal garments: She was stripped of her pride, earthly attributes and her role as queen and woman.Inanna, Queen of Heaven and Earth: Her Stories and Hymns from Sumer [Diane Wolkstein, Samuel Noah Kramer] on ashio-midori.com *FREE* shipping on qualifying offers.
A fresh retelling of the ancient texts about Ishtar, the world's first goddess.
Illustrated with visual artifacts of the period. A great masterpiece of universal literature. --Mircea Eliade. The Descent of Inanna (known also as ‘Inanna’s Descent to the Netherworld / Underworld’) is a piece of work in the literary corpus of ancient Mesopotamia.
This story, which was originally written in cuneiform and inscribed on clay tablets, is in the form of a poem. Become conscious of your mythic edge the larger story that wants to be lived through you. Discover how to open to synchronicities, receive guidance, and uncover the wisdom and magic that’s all around you whenever you need it.
"Mistress of the Labyrinth", "the Great Goddess", "The Potnia."These three terms have long been used, somewhat interchangeably, to describe the original forms of Ariadne, a Cretan princess who has a sidelined role in Classical Greek myth.
The Descent of Inanna (known also as ‘Inanna’s Descent to the Netherworld / Underworld’) is a piece of work in the literary corpus of ancient Mesopotamia.
This story, which was originally written in cuneiform and inscribed on clay tablets, is in the form of a poem. "Quiet, Inanna, the ways of the underworld are perfect. They may not be questioned." When she entered the seventh gate, From her body the royal robe was removed. Inanna asked: "What is this?" She was told: "Quiet, Inanna, the ways of the underworld are perfect.
They may not be questioned." Naked and bowed low, Inanna entered the throne room.